| The best way to describe ‘Life of Pi’ by Canadian author Yann Martel is quite simple: It is a Robinson Crusoe for the new millennium with the island being a floating lifeboat on the Pacific and with a 450-pound Royal Bengal tiger named Richard Parker instead of Friday. Sounds weird? It is. It is also one of the most wonderful novels I have ever read. ‘Robinson’ in this version is the adolescent Piscine Molitor Patel. He calls himself ‘Pi’ (= 3.14) for short, and he is the second son of an Indian zookeeper living in Pondicherry, part of ex-French India. He is a religious boy, quite the little zealot who is not only a professed Hindu and Muslim but also at the same time a devout Christian. He lives happily with his family until his father decides to move the Patel family to Canada. All of the animals of father’s Pondicherry Zoo are sold and most of them will be transported on the same cargo-ship that will take them to the New World. The Japanese cargo-ship ‘Tsimtsum’ does not survive a storm on the pacific and before he knows it, Pi finds himself in the midst of the ink-black waves and torrential rain on a small lifeboat he has to share with a zebra with a broken leg, a hyena, a female orang-utan and Royal Bengal tiger. Pi will need his faith direly, apply all his knowledge of animal husbandry and use all the information in a survival-guide that he finds aboard the lifeboat to stand just a small chance of survival. Surviving on a lifeboat in the Pacific all on your own is difficult; surviving with two predators aboard is even more difficult. The story is told in three parts: there is a 100-page first part in which Pi tells us about his life in Pondicherry, his religious fervour and his family. We get to know Pi as an intelligent and inquisitive human being, interested in the empirical as well as the mystical. The second part, which makes up the bulk of the novel, starts with the words: ‘The ship sank’. It tells the story of the survival of Pi and his companions on the lifeboat floating around on the Pacific for over two hundred days. Poor pacifist Pi, son of a Indian zoo-keeper, Muslim, Christian, Hindu and vegetarian has to kill fish and sea-turtles in order to keep himself alive. Himself, and in his best interest Richard Parker too, otherwise Richard Parker might have him for breakfast. It seems unlikely that a story of survival on a couple of floating square metres in such interesting company makes for much pleasant reading. This is completely untrue, however. The genius creation of Pi, deservedly mentioned in the title, is such a superbly crafted character that you actually feel bad when towards the end of the book it seems he might be saved after all. Martel has created with Pi a character that is wholly able to take his place besides Robinson Crusoe and other literary creations that have become famous over the years for their extraordinary personalities. This novel would have been great is it had consisted of these two parts, but there is more: a short third act that is a coda that possibly puts everything that went before in a completely different and exciting new light. This is the reason to read everything that went before; this third part of the novel establishes the right of the novel to exist and to be read. It took my breath away. |
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